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War And Peace 200


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enjoying ourselves! Vasili Dmitrich is staying a day longer for my sake! Did you know?" "No, Papa is not back yet," said Sonya. "Nicholas, have you come? Come here, dear!" called the old countess from the drawing room. Nicholas went to her, kissed her hand, and sitting down silently at her table began to watch her hands arranging the cards. From the dancing room, they still heard the laughter and merry voices trying to persuade Natasha to sing. "All wight! All wight!" shouted Denisov. "Its no good making excuses now! Its your turn to sing the bacawolla--I entweat you!" The countess glanced at her silent son. "What is the matter?" she asked. "Oh, nothing," said he, as if weary of being continually asked the same question. "Will Papa be back soon?" "I expect so." "Everythings the same with them. They know nothing about it! Where am I to go?" thought Nicholas, and went again into the dancing room where the clavichord stood. Sonya was sitting at the clavichord, playing the prelude to Denisovs favorite barcarolle. Natasha was preparing to sing. Denisov was looking at her with enraptured eyes. Nicholas began pacing up and down the room. "Why do they want to make her sing? How can she sing? Theres nothing to be happy about!" thought he. Sonya struck the first chord of the prelude. "My God, Im a ruined and dishonored man! A bullet through my brain is the only thing left me--not singing!" his thoughts ran on. "Go away? But where to? Its one--let them sing!" He continued to pace the room, looking gloomily at Denisov and the girls and avoiding their eyes. "Nikolenka, what is the matter?" Sonyas eyes fixed on him seemed to ask. She noticed at once that something had happened to him. Nicholas turned away from her. Natasha too, with her quick instinct, had instantly noticed her brothers condition. But, though she noticed it, she was herself in such high spirits at that moment, so far from sorrow, sadness, or self-reproach, that she purposely deceived herself as young people often do. "No, I am too happy now to spoil my enjoyment by sympathy with anyones sorrow," she felt, and she said to herself: "No, I must be mistaken, he must be feeling happy, just as I am." "Now, Sonya!" she said, going to the very middle of the room, where she considered the resonance was best. Having lifted her head and let her arms droop lifelessly, as ballet dancers do, Natasha, rising energetically from her heels to her toes, stepped to the middle of the room and stood still. "Yes, thats me!" she seemed to say, answering the rapt gaze with which Denisov followed her. "And what is she so pleased about?" thought Nicholas, looking at his sister. "Why isnt she dull and ashamed?" Natasha took the first note, her throat swelled, her chest rose, her eyes became serious. At that moment she was oblivious of her surroundings, and from her smiling lips flowed sounds which anyone may produce at the same intervals and hold for the same time, but which leave you cold a thousand times and the thousand and first time thrill you and make you weep. Natasha, that winter, had for the first time begun to sing seriously, mainly because Denisov so delighted in her singing. She no longer sang as a child, there was no longer in her singing that comical, childish, painstaking effect that had been in it before; but she did not yet sing well, as all the connoisseurs who heard her said: "It is not trained, but it is a beautiful voice that must be trained." Only they generally said this some time after she had finished singing. While that untrained voice, with its incorrect breathing and labored transitions, was sounding, even the connoisseurs said nothing, but only delighted in it and wished to hear it again. In her voice there was a virginal freshness, an unconsciousness of her own powers, and an as yet untrained velvety softness, which so mingled with her lack of art in singing that it seemed as if nothing in that voice could be altered without spoiling it. "What is this?" thought Nicholas, listening to her with widely opened eyes. "What has happened to her? How she is singing today!" And suddenly the whole world centered for him on anticipation of the next note, the next phrase, and everything in the world was divided into three beats: "Oh mio crudele affetto."... One, two, three... one, two, three... One... "Oh mio crudele affetto."... One, two, three... One. "Oh, this senseless life of ours!" thought Nicholas. "All this misery, and money, and

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